Tradition Meets Digital Art with Doug Hunt Opens Tomorrow

Digital painting of a river that looks white and icy then flows to deep blue at the bottom of the painting. The grass surrounding the river is browning, as if it is Autumn. In the distance is a dark line of trees and the sky above is deeply colored as if the sun will set soon.

It’s First Friday and we’re open late, come join us!

Postcard that says "Tradition Meets Digital Art, Paintings by Doug Hunt. One one side there is a digital painting of a river that looks white and icy then flows to deep blue at the bottom of the painting. The grass surrounding the river is browning, as if it is Autumn. In the distance is a dark line of trees and the sky above is deeply colored as if the sun will set soon.

This month we’re showcasing Doug Hunt and his new digital work alongside his traditional oil paintings.

Digital painting provides the artist with a ready canvas wherever he is and the means to bring expressive, affordable artwork to the public. Working with digital tools means suddenly having very few limits to creativity. Artists can create almost any canvas size, use multiple layers, make and customize their own brushes, dip into an endless palette of colors–the options are practically endless.

Stop in and see how a traditional artist is using this new medium to paint beautiful, affordable images. Tradition Meets Digital Art, Paintings by Doug Hunt opens Friday, September 4th at Village Frame and Gallery. We’ll be open that evening from 6 p.m. – 9 pm for First Friday at 7808 SW Capitol Hwy, Portland, OR 97219.

Digital Art Demonstration with Doug Hunt

Friday and Saturday, September 18th (12 to 5 pm) and 19th (12 to 3 pm)

Doug Hunt will demonstrate the art app “ArtStudio” on his 4 generation iPad. ArtStudio was developed for painters with a very painterly look, complete with dimensional brush strokes and the real possibility to turn your painting into mud if your not careful, just as in real life painting. It’s very user friendly and any artist would enjoy this handy little app both for doing finished paintings and working out ideas. Demonstrations begin at the top of the each hour, so get here early!

Artist’s Statement

Close up photo of artist Doug Hunt
Doug Hunt

As far back as I can remember (and that’s back further than I can remember now) I’ve always wanted to be an artist. I wanted to be a fine artist even before I knew what fine art was. As a young boy I was inspired by the great masters. Who you wonder? Da Vinci? Rembrandt? Well no, actually it was Walt Disney and “Big Daddy” Ed Roth. I cut my teeth on cartoon characters, hot rod art and psychedelic posters. Even in the military, I took advantage of every artistic opportunity and for a year and a half landed a job where my duties included photography and graphic arts. The other two and a half years wasn’t nearly as fun. It was my first practical experience for a lifetime career in graphic art, fine art and photography.

Commercial art and photography was the easy part, trying to fulfill the fine art dream was a challenge. So the path went like this. Three years at Mt. Hood Community College in Gresham Oregon trying to figure out how to become a working artist… It wasn’t exactly the staple of the daily want ads. A couple of years doing freelance architectural renderings for home planners and 7 years as a part-time instructor at Mt. Hood Community College. In 1982 I took a position as illustrator for the American Military Club System in Wiesbaden Germany. If you’re surprised such a job exists, trust me, so was I! I loved living in Europe and absorbed experiences that would later show up in my work. I loved working for the government somewhat less however, so after a year I came home to resume my freelance career. The majority of my work was detailed illustration work mostly pen and ink. My fine art tended to be looser in an attempt to escape all the precise work I did on a daily bases. In the mid 80’s I began painting with oil pastels and paint sticks. Pens and pencils to paint sticks was a natural transition for me and with that my fine artwork became more impressionistic.

The dream of becoming a fine artist was never far from my mind and in 2001 I found my opportunity. I was picked up by an art rep and started producing 20-30 originals a month for sale nationally. I also got involved in the etching process and was producing hand colored etchings.

Whether working in oils or creating an original print hand pulled from a press, I find great enjoyment in working from my imagination. As I look at my paintings, I have to think that they are influenced by an underlying desire to escape, to be somewhere quiet and unhurried. My favorite pieces are always those that have a sense of calm … just a sunny open space and an inviting path to nowhere in particular.

 Digital painting of a river that looks white and icy then flows to deep blue at the bottom of the painting. The grass surrounding the river is browning, as if it is Autumn. In the distance is a dark line of trees and the sky above is deeply colored as if the sun will set soon.

 

Are You Sitting on an Heirloom?

Colorful bouquet of embroidered flowers, matted and framed.

Embroidered chair covers made by Grandma get a new life at Village Frame & Gallery

Colorful bouquet of embroidered flowers, matted and framed.A few months ago, a customer brought us six lovely hand-embroidered chair covers. Could we preserve them? She wanted to present them as gifts to her grandchildren. What a great idea!

Of Grandmas and Embroidered Chair Covers: A Brief History

During the 16th century, embroidery became an essential skill for young ladies. Before marriage, girls embroidered samplers, which taught them letters, numbers, and stitches—all things a young lady needed to know when she married and became responsible for creating and maintaining clothing and linens for her household.

For some women during those centuries, embroidery became a way of expressing themselves artistically while fulfilling their duties as a homemaker. Although every wife had a great deal of day-to-day sewing, some took time to incorporate decorative designs on clothes and household articles. By the 18th century, a talented embroiderer could get work sewing for her neighbors in exchange for money or goods. If you think of it, this “women’s work” is rather inspiring. As they did in quilting, knitting, and other practical arts, through embroidery, women made the functional beautiful.

Well into the middle of the last century, embroidery was a way for women earn a bit of income or stitch art into everyday life. You may have cushions, upholstery, or linens created by your grandmother or great-grandmother, that have borne witness to your family history for generations. Imagine how many times her needle passed in and out of that cloth … Can you picture her choosing a design? Deciding on colors? The many hours it took to complete each piece?

Is It Time to Give Grandma’s Work a Place of Honor in Your Home?

With proper preservation, chair covers can survive for generations. Long after the useful life of the chair is over, your family will be able to enjoy Grandma’s needlework—as art!

Feeling inspired? Bring your heirloom chair covers to Village Frame & Gallery for needlework conservation treatment and framing. We’re open Tuesday – Saturday, 10 am – 6 pm, at 7808 SW Capitol Hwy, Portland, OR 97219.

Colorful red and blue bouquet embroidered on a chair cover

Colorful bouquet of red and blue flowers embroidered onto a chair cover, matted and framed

Colorful bouquet of embroidered flowers

Colorful bouquet of embroidered flowers, matted and framed.

Embroidered bouquet of blue flowers

Chair cover embroidered with bouquet of blue flowers, matted and framed


 

Various shops turn needlepoint into pillows; very few offer to frame them. Only one shop, in my opinion, does the latter as it should be done: Village Frame and Gallery. Their artful framing greatly enhances my work, through their time consuming, labor intensive blocking, their wide selection of exquisite frames and mats, plus the highest quality preservation glass. Their work is unequaled this side of a major museum.

–Arthur Henry

Art Inventory Blowout Sale, Framing Coupons and Kids Drawing – Oh My!

Come to the Village Saturday for Multnomah Days!

Art Sale in the Village

Huge savings on all inventory! 25% to 75% off framed fine art originals and reproductions!!  And all mirrors 75% off!!

Artists including Jeanette Nuxoll, Jerry Hammel, Natalya Romanovsky, Richard Hall, Linda Griffin, Didier Lourenco and many more!!

10 – 4 pm at the Meals on Wheels Building
7710 SW 31st at Capitol Hwy., Portland, Oregon, 97219

Visit our Booth at Multnomah Days!

  • 75% OFF selected art posters, prints and photographs!
  • Pick up your coupon for 10% OFF custom framing!
  • KIDS! Enter to win a 130 piece ART SET! Drawing will be held at 4:00 pm, you don’t have to be present to win.
  • The Gallery will be closed during Multnomah Days. Should you need to pick up a custom framing order, please find us at our booth and we’ll be happy to retrieve your order!

 

Don’t miss all the savings and special events in Multnomah Village this month. Follow the Multnomah Village Facebook page for updates and insider information.

Colorful poster listing Multnomah Days events. For something more accessible, follow the Multnomah Village page on Facebook.

Featured Artist Susan Koch

An award-winning watercolorist, Koch tries to evoke a place of familiarity or belonging—a feeling of “being home.”

Photograph of Susan Koch standing next to an exhibit of her paintings.
Susan Koch

Painting began as a childhood passion for Susan. As far back as she can remember she was intrigued with drawing what she saw. She always knew painting was what she would do with her life and was determined to go to art school.

She studied watercolor at the American Academy of Art in Chicago under the late Irving Shapiro, one of the great watercolor artists of our time. Right out of art school, she found a job as a professional artist—doing graphic design for Yellow Pages ads.

With the exception of a few years after her second daughter was born, Susan has been painting all her adult life.

“I have to do it,” she says. “It’s too much a part of me. I’ll never retire because I’ll always be painting.”

Since then, she has won many awards, including “Best of Show” and “Peoples’ Choice” several years running in the Watercolor Society of Oregon annual shows.

Susan now devotes herself painting what she finds meaningful.

“Art is an expression of a deeper spiritual need,” she explains.

She draws her subject matter from the world around her, painting detailed landscapes, florals, and still lifes. She also creates beaded jewelry featuring complex, luminous designs.

“For me, what captures my interest in a scene is the quality and angle of light. It changes constantly and with that change comes the challenge.”

She has lived in many places around the country but favors the Pacific Northwest. She lived for 10 years on the Oregon coast, and several more in central Oregon, but the romance of the farms and vineyards of the Willamette Valley called to her. Today she lives just west of Portland.

Photo of Dee Anderson in front of some of her paintings
Dee Anderson

See the Works of Susan Koch at Village Frame & Gallery

Her exhibit, along with the works of Dee Anderson, is on display throughout the month of August. Stop by during regular Gallery hours: Tuesday – Saturday, 10 am – 6 pm, at 7808 SW Capitol Hwy, Portland, OR 97219.

In the meantime, here’s a sneak peek of Susan’s artwork:

Watercolor painting of historic home on a hill
By Susan Koch

 

Elaborately beaded bracelet in turquoise, pinks, green
Bead Bracelet by Susan Koch

August First Friday and Multnomah Days

Watercolor painting of leafless tree, surrounded by other trees. The sky is intensely blue and and the grass is green, but the trees are stark and gray.

Come to the Village this month for cool watercolors and hot deals!

First Friday, August 7th

We have an exciting new exhibit opening this month at the Gallery featuring Susan Koch with Dee Anderson. Join us for the artist’s reception Friday, 6 pm to 9 pm at the Gallery.

Susan Koch

A place of familiarity–a feeling of being home

Watercolor painting of leafless tree, surrounded by other trees. The sky is intensely blue and and the grass is green, but the trees are stark and gray.
Columbia Gorge forest by Susan Koch

Art has always been my passion. I have to do it; it’s too much a part of me. I’ve tried to quit and I couldn’t do it. I finally realized, I’ll never retire, because I’ll always be painting.

Over the past thirty five years my paintings have won many awards, including “Best of Show” and “Peoples’ Choice” several years running in the Watercolor Society of Oregon annual shows. I now devote my energies and attention to painting what I find meaningful, something that speaks to me. Usually it is the light that captures the scene for me. I try to convey to the viewer a place of familiarity or belonging, a feeling of “being home”.

~ Susan Koch

Dee Anderson

Stubborn, Gorgeous, Determined
Watercolor painting of boats next to a dock. A building on high stilts is above the dock. The light looks like dawn and is casting a rainbow of colors across the entire scene.
By Dee Anderson

Nearly everyone I know has tried to paint with watercolor at least once.  Most say “It’s too difficult.” I find that watercolor is willful, stubborn, gorgeous and determined to find it’s own way.  Just like all of us!  I welcome the challenge of watercolor.  It continues to bring me frustration, beauty and most of all…joy!

If you opt to take one of my paintings into your life, it is my hope that it gives you a lifetime of solid companionship.  Art transcends relationships, troubles and time!  Art is always there for you!
~ Dee Anderson

Multnomah Days 2015, August 15th and 16th

Don’t miss all the savings and special events in Multnomah Village this month. Follow the Multnomah Village Facebook page for updates and insider information.

Colorful poster listing Multnomah Days events. For something more accessible, follow the Multnomah Village page on Facebook.

Last Weekend to See A Lifetime of Work by Kaye Synoground

Poster with a picture of Kaye painting and one of her watercolor of a classic truck rusting in the grass.

Poster with a picture of Kaye painting and one of her watercolor of a classic truck rusting in the grass.This Saturday, August 1st, will be the last day we exhibit A Lifetime of Work by Kaye Synoground at Village Frame & Gallery. It was Kaye’s last show, a retrospective of her decades-long career as a full-time artist, and we have been honored to host it for the last two months.

As you probably know by now, Kaye passed away after a battle with pancreatic cancer this month. It has been a hard loss for our community, but Kaye’s zest for art and life never waned, and it was clear she wanted us all to continue to commune with her art in her absence.

After August 1st, Kaye’s work will be available for viewing and purchase from The Geezer Gallery at the National College of Natural Medicine’s Spalding House, located behind the administration building at 2828 SW Water Street, Portland, OR 97201.

Please Join Us July 27th in Memory of Kaye Synoground

Photo of Kaye Synoground standing in front of some of her art work. Below is a quote from Kaye: "I've had a very good art life and I've been quite lucky."

A Celebration of the Life and Life’s Work of Our Neighbor and Friend

Photo of Kaye Synoground standing in front of some of her art work. Below is a quote from Kaye: "I've had a very good art life and I've been quite lucky."We cordially invite you to join Kaye’s family and friends as we commune with her work and each other, remembering her artistic legacy and how she touched our lives. Everyone is welcome.

Monday, July 27, 2015

5:00 p.m. to 8:00 p.m.

at

Village Frame & Gallery
7808 SW Capitol Hwy
Portland, OR 97219

Kaye Synoground was a beloved mother, wife, teacher, and artist. Click here to read more about her.

Featured Artist Kaye Synoground

Self-portrait in watercolors by Kaye Synoground

Spotted-Phalaenopsis-Orchid-600

Kaye Synoground, beloved mother, wife, teacher, and artist passed away in July, 2015.

Kaye was a career artist with over thirty years of experience including professional illustration, as an owner of her own studio gallery, A Closer Look in Multnomah Village, and teaching at places like the Multnomah Athletic Club and The Multnomah Art Center. Kaye was a member of the Watercolor Society of Oregon, the Colored Pencil Society of America, the Beaverton Arts Commission, and the Westside Artists group. Her work has been exhibited at the Washington County Museum, the Columbia Arts Center, the Halvorsen Gallery and the Newport Visual Arts Center. She also has had work published in “The Best of Colored Pencil” 1996 and 1997 by Rockport Publishers in Massachusetts.

Kaye passed away after a battle with pancreatic cancer. She had enjoyed a brief remission in the spring and early sumer of 2015, during which time she worked in her studio and put on a lovely retrospective show at Village Frame & Gallery in Multnomah Village. An artist until the end, Kaye showed a zest for art and life that was remarkable and was admired by all that knew her.

July First Friday and Independence Day at Village Frame & Gallery

Self-portrait in watercolors by Kaye Synoground

July Calendar

Village Frame and Gallery will be open late for First Friday, July 3rd, however, there will be no artist’s reception. We will be closed July 4, 2015 for Independence Day.

Poster with a picture of Kaye painting and one of her watercolor of a classic truck rusting in the grass. The Gallery will continue to feature A Lifetime of Work by Kaye Synoground, through the month of July. The show features new and old works from Kaye’s 20-year career as an artist, and is her first since she was forced to take several months off to care for her health. If you weren’t able to see this exhibit in June, be sure to come visit us this month.

About Kay Synoground

Kaye began studying art at when she was only 13 years old, but initially struggled to  and went on to establish a career in the fine arts. For many years, she painted  signs and did commercial illustration. In a recent interview with The Southwest Community Connection, Kaye explained it was cancer that first convinced her to become a full-time artist in 1993: “It just felt like I’d better be painting if I was going to paint,” she said. “None of us knows how long we have.”

Today, she is well known for her artwork and teaching. Her art has been exhibited at Washington County Museum, Columbia Arts Center, Halvorsen Gallery, Newport Visual Arts Center,  and is part of many collections both private and public. She has also had work published in Woman’s Journal, Fine Gardening, and The Best of Colored Pencil. Kaye illustrated Barbara Blossom Ashmun’s book, Married to My Garden. She had a gallery in Multnomah Village for 16 years.

Please join us as we celebrate 20 years of Kaye Synoground’s art.

If you can’t make it to First Friday, A Lifetime of Work will be on display throughout July during regular business hours, Tuesday – Saturday, 10 am – 6 pm. Meanwhile, here are a few of our favorites by Kaye Synoground:

Two Persimmons by Kaye Synoground
Two Persimmons by Kaye Synoground

 

Watercolor of back of voluptuous nude woman in shades of blues and peach
Blue Nude by Kaye Synoground

 

Watercolor of orange and scarlet autumn leaves drifting in front of a blue and gold background
Drifters by Kaye Synoground

Village Frame & Gallery, 7808 SW Capitol Hwy, Portland, OR 97219 ● (503) 245-8001
Open Tuesday - Friday, 10am - 5pm, and Saturday 10am - 4pm, or by appointment.